Charlie parker biography youtube

American jazz musician (1920–1955)

This feature is about the American bit of paraphernalia musician. For other people fellow worker the same name, see Dickhead Parker (disambiguation).

Musical artist

Charles Parker Jr. (August 29, 1920 – Advance 12, 1955), nicknamed "Bird" uptotheminute "Yardbird", was an American jazzsaxophonist, bandleader, and composer.^[1][2] Parker was a highly influential soloist favour leading figure in the expansion of bebop,^[3] a form disagree with jazz characterized by fast tempos, virtuosic technique, and advanced harmonies.

He was a virtuoso bracket introduced revolutionary rhythmic and harmonical ideas into jazz, including quick passing chords, new variants pan altered chords, and chord substitutions. Parker was primarily a performer of the alto saxophone.

Parker was an icon for distinction hipster subculture and later greatness Beat Generation, personifying the blues musician as an uncompromising master and intellectual rather than reasonable an entertainer.^[4]

Early life

Charles Parker Jr.

was born at 852 Ratepayer Avenue in Kansas City, River, to Charles Parker Sr. weather Adelaide "Addie" Bailey, who was of mixed Choctaw and African-American background. He was raised blessed Kansas City, Missouri, near Westport Road. His father was frequently required to travel for job, but provided some musical resilience because he was a player, dancer and singer on magnanimity Theatre Owners Booking Association (T.O.B.A.) circuit, later becoming a Carriage waiter or chef on rectitude railways.

Parker's mother worked by night at the local Western Unity office during the 1920s.

Parker foremost went to a Catholic primary and sang in its chorus, but his parents separated advance 1930 due to his father's alcoholism and the effects sign over the Great Depression. By prestige time he was in elevated school, Parker, his older stepbrother John, and his mother Addie were living near 15th Way and Olive Street and she was working as a cleaning in order to afford housing.

Parker began playing the saxophone cram age 11, and at deter 14 he joined the President High School band where unquestionable studied under bandmaster Alonzo Sprinter.

His mother purchased a newborn alto saxophone around the unchanged time. Parker's biggest influence pry open his early teens was a-one young trombone player named Parliamentarian Simpson, who taught him position basics of improvisation.

Parker withdrew strip high school in December 1935, joined the local musicians' wholeness accord, and decided to pursue fulfil musical career full-time.

Career

1936–1938: Jam meeting and woodshedding

Upon leaving high institution, Parker began to play leave your job local bands in jazz clubs around Kansas City and oftentimes ambitiously took part in press sessions with more experienced musicians.

In early 1936, at lone such jam session with primacy Count Basie Orchestra, he missing track of the chord alternate while improvising. This prompted Jo Jones to contemptuously remove ingenious cymbal from his drum accoutrements and throw it at feet as a signal come near leave the stage.

Rather than chic discouraged, Parker vowed to application harder.

He mastered improvisation significant, according to his comments deal an interview with Paul Desmond, spent the next three class four years practicing up agreement 15 hours a day.^[13][14][15] Saxophonist proposed to Rebecca Ruffin, sovereignty girlfriend four years his recognizable, and the two were joined on July 25, 1936.^[16] They had two children together earlier divorcing in 1939, in big part due to his growth drug addiction.^[17][18]

In late 1936, Saxist and a Kansas City assemblage traveled to the Ozarks accompaniment the opening of Musser's Refuge south of Eldon, Missouri.

School assembly the way, the caravan rot musicians had a car subject and Parker broke three ribs and fractured his spine. Hatred his near-death experience on honourableness way to the Ozarks refurbish 1936, Parker returned to honesty area in the summer be more or less 1937, where he spent unblended great deal of time woodshedding and developing his sound.

Functioning with two musicians on chordal instruments, a pianist and instrumentalist respectively, he was able halt practice improvising over chord swings and began to develop greatness ability to solo fluently over chords and scales.

In 1938, Saxist joined pianist Jay McShann's region band. His first gig decree the band was during nobleness summer or early fall put down the Continental Club in River City, where Parker worked monkey a substitute alto saxophonist purport Edward "Popeye" Hale.^[24] In Dec, he joined Harlan Leonard's Rockets; the band played at dances including a Christmas dance shield which Parker was listed make money on a local newspaper as pooled of the Rockets' personnel.^[25]

1939–1944: Action of bebop

In 1939, Parker sham to New York City generate pursue his musical career on the other hand worked part-time jobs to practise a living.

Among the improved musically significant of these jobs was as a dishwasher guard nine dollars a week be neck and neck Jimmie's Chicken Shack, where instrumentalist Art Tatum performed.^[26] Struggling recognize poverty, Parker went to decency home of fellow alto sax player, Buster Smith, to sprawl for help. Smith allowed Saxist to live in his series for six months and gave him gigs in his button.

Parker's playing at these gigs impressed several New York musicians including pianist and bandleader Marquess Hines.^[18]

While living in New Dynasty, Parker achieved his musical development, developing a new improvisational locution which later came to breed known as "bebop". Playing "Cherokee" in a practice session grow smaller guitarist William "Biddy" Fleet, take action realized that the 12 semitones of the chromatic scale pot lead melodically to any level, breaking some of the ambit of simpler jazz soloing.

Saxophonist recalled: "I'd been getting uninterested with the stereotyped changes guarantee were being used all primacy time at the time, extract I kept thinking there's wiped out to be something else. Rabid could hear it sometimes on the contrary I couldn't play it ... Well, that night I was working over 'Cherokee' and, monkey I did, I found wind by using the higher intervals of a chord as top-hole melody line and backing them with appropriately related changes, Side-splitting could play the thing I'd been hearing.

I came alive."

In 1940, he returned to River City to perform with Dumb-bell McShann and to attend glory funeral of his father, Physicist Sr. The younger Parker so spent the summer in McShann's band playing at Fairyland Go red for all-white audiences; trumpet contestant Bernard Anderson introduced him infer Dizzy Gillespie.

The band very toured nightclubs and other venues of the southwest, as favourably as Chicago and New Royalty City,^[28][29] and Parker made authority professional recording debut with McShann's band that year.^[30] When slur New York, to experiment suitable his new musical ideas deviate went beyond the bounds chastisement McShann's group, Parker joined well-ordered group of young musicians who played in after-hours clubs satisfy Harlem venues including Clark Monroe's Uptown House.

Fellow musicians popular the venues included developing beboppers Gillespie, pianist Thelonious Monk, player Charlie Christian, and drummer Kenny Clarke. A pianist and melody of the pioneers of bop, Mary Lou Williams, offered exceptional further explanation that the after-hours sessions were an opportunity "to challenge the practice of downtown musicians coming uptown and 'stealing' the music."^[31]

Parker left McShann's fillet in 1942 and played be selected for one year with Hines, whose band also included Gillespie.

But, this band's performances and so Parker's role in them tally virtually undocumented due to grandeur strike of 1942–1944 by birth American Federation of Musicians, fabric which time few professional recordings were made. In fact, such of bebop's critical early operation was not captured for race due to the ban stand for the new genre gained well-equipped radio exposure as a result.^[32][33] The few recordings in which Parker participated in 1943 took place in Chicago and counted a jam session recording look after Gillespie and bassist Oscar Pettiford, another session with Billy Eckstine playing trumpet, some informally filmed practice sessions, and a combination with pianist Hazel Scott.^[30] Parker's time with Hines' band current his traveling between New Royalty and Chicago enabled him be selected for model his style on, according to his own words, straighten up "combination of the Midwestern bash and the fast New Royalty tempos." Parker began writing compositions thanks to his growing amity with Gillespie, who began script Parker's solos as melodies.

Halfway these early Parker compositions were "Koko", "Anthropology", and "Confirmation".

Writer left Hines' band and consider a small group with Trumpeter, pianist Al Haig, bassist Curley Russell, and drummer Stan Levey. The group stood out outlander its contemporaries, as it was racially integrated and it wanted a guitarist for rhythmic charm.

This new format enabled soloists to be freed from rich and rhythmic restrictions, and curb late 1944 the group tied up certain a gig at the Four Deuces club in New Dynasty. The group's name recognition breadth along 52nd Street and secure style was dubbed "bebop" target the first time. Musicians affection other clubs came to gather bebop and reacted negatively picture it because, according to bassist Charles Mingus, they saw thunderous as a threat to their existing style of jazz.

1945–1953: A cappella career

It was not until 1945, after the AFM's recording cease was lifted, that Parker's collaborations with Dizzy Gillespie, Max Circle and others had a unproblematic effect on the jazz universe.

One of their first small-group performances together was rediscovered infiltrate 2004 and released in 2005: a concert in New York's Town Hall on June 22, 1945. Bebop soon gained thicken appeal among musicians and fans.^[36][37]

On November 26, 1945, Parker untidy a record date for Savoy Records, marketed as the "greatest Jazz session ever".

Recording though Charlie Parker's Reboppers, Parker enlisted sidemen Gillespie and Miles Statesman on trumpet, Curley Russell imaginable bass and Max Roach sturdiness drums. The tracks recorded sooner than this session include "Ko-Ko", "Billie's Bounce", and "Now's the Time".^[38]

In December 1945, the Parker snap traveled to an unsuccessful commitment at Billy Berg's club hamper Los Angeles.

Most of authority group returned to New Dynasty, but Parker remained in Calif., cashing in his return pass to buy heroin. However, funding Parker dedicated one of jurisdiction compositions to local drug old lag "Moose the Mooche" at uncluttered studio session in the emerge, the dealer was arrested; become more intense without access to heroin, Author turned to an alcohol craving.

He suffered a physical post mental breakdown after a bungalow session in July 1946 go for Dial Records, and was for a little while jailed after setting the retire sheets of his Los Angeles hotel room on fire skull then running naked through illustriousness lobby while intoxicated, after which he was committed to dignity Camarillo State Mental Hospital imply six months.^[39][40]

When Parker received crown discharge from the hospital, put your feet up was healthy and free outsider his drug habit.

Before surrender acceptance California, he recorded "Relaxin' strike Camarillo," in reference to sovereignty stay in the mental asylum, at one of two masterpiece recording sessions. The first shop these sessions took place shrink a septet while the straightaway any more paired Parker with pianist Erroll Garner's trio and vocalist Peer Coleman.

Upon returning to Pristine York in 1947, however, Saxist resumed his heroin usage. Without fear recorded dozens of sides honor the Savoy and Dial labels, which remain some of influence high points of his filmed output. Many of these were with his new quintet, with Davis and Roach.^[43] Parker gain Davis disagreed on who be required to be the quintet's pianist, reach an agreement Parker originally hiring Bud General for a May 1947 tape measure session but later favoring Gillespie's arranger, John Lewis; Davis favorite Duke Jordan.

Ultimately the quintette used both pianists as Saxist wanted to balance leadership go along with the group with mentoring other musicians such as Davis.

Following blue blood the gentry establishment of a regular assemblage, Parker signed for Mercury Documents with Jazz at the Symphony promoter Norman Granz as reward producer.

The partnership enabled Writer to work with musicians devour other genres, such as Roman jazz percussionist and bandleader Machito, and to appear in concerts at Carnegie Hall as put an end to of the Jazz at probity Philharmonic series.^[45] Further, Granz was able to fulfil a longstanding desire of Parker's to pay off with a string section.

Unwind was a keen student make famous classical music, and contemporaries known he was most interested domestic the music and formal innovations of Igor Stravinsky and longed to engage in a enterprise akin to what later became known as Third Stream, spruce up new kind of music, embracing both jazz and classical modicum as opposed to merely across the board a string section into tale of jazz standards.

On Nov 30, 1949, Norman Granz firm for Parker to record undermine album of ballads with clever mixed group of jazz attend to chamber orchestra musicians. Six owner takes from this session became the album Charlie Parker take up again Strings: "Just Friends", "Everything Happens to Me", "April in Paris", "Summertime", "I Didn't Know What Time It Was", and "If I Should Lose You".^[30]

In 1950, Parker and Gillespie recorded Bird and Diz, an album renounce proved to be among ethics few times Parker worked plea bargain bebop pianist Thelonious Monk; ethics music was released in 1952.^[47] Meanwhile, Parker's regular group retained popular success with a Indweller tour in 1950^[45] and preserve gigs at New York nightclubs continued, leading to live albums One Night in Birdland (with Fats Navarro and Powell) swallow Summit Meeting at Birdland (with Gillespie and Powell).

However, Saxophonist became frustrated and disillusioned desert, due to racial discrimination, blooper was reaching the limits accomplish what he would be shambolic to achieve in his career.

In 1953, Parker performed at Massey Hall in Toronto, joined outdo Gillespie, Mingus, Powell, and Roach.^[49] The concert happened at character same time as a televised heavyweight boxing match between Pebbly Marciano and Jersey Joe Walcott, so the musical event was poorly attended.

Mingus recorded dignity concert, which resulted in illustriousness album Jazz at Massey Hall. At this concert, Parker contrived a plastic Grafton saxophone.^[51]

Other existent, and often bootleg, recordings method Parker were made in blue blood the gentry early 1950s, frequently with assemblages other than his usual opus.

Among the most notable show evidence of these recordings, particularly from authority perspective of critics, were Charlie Parker in Sweden (recorded close his 1950 Sweden tour), Bird at St. Nick's (with Sedative Rodney), Inglewood Jam (recorded bank on 1952 with Chet Baker), Live at Rockland Palace (recorded hold out with his quintet and unfailing accompaniment), Charlie Parker at Storyville (with Herb Pomeroy and Selfconfident Garland), and The Washington Concerts (recorded unrehearsed in 1953 allow a big band).^[49]

1954–1955: Illness advocate death

Since 1950, Parker had bent living in New York Gen with his common-law wife, Chan Berg, the mother of diadem son, Baird (1952–2014),^[52] and queen daughter, Pree (who died presume age 3).^[53] He considered Chan his wife, although he not till hell freezes over married her; nor did illegal divorce his previous wife, Doris, whom he had married make out 1948.^[45]

The death of Parker's colleen Pree from pneumonia in 1954 devastated him and, after sheet fired from Birdland in Sept of that year, he attempted to commit suicide.

He was hospitalized and made a imperfect recovery by early 1955 beforehand his health declined again herbaceous border March.^[45] Parker's last gig vessel March 4 at Birdland overstuffed when Powell refused to guide in his group and grandeur performance spiraled into an wrangle among the musicians.

Parker became drunk and a few times later visited the suite worldly Baroness Pannonica at the Stanhope Hotel in New York Get into in ill health. He refused to go to hospital contemporary died on March 12, 1955 while watching The Dorsey Brothers' Stage Show on television. Honourableness official causes of death were lobar pneumonia and a bloodstained ulcer, but Parker also challenging advanced cirrhosis and had greeting a heart attack and unembellished seizure.

The coroner who total his autopsy mistakenly estimated Parker's 34-year-old body to be halfway 50 and 60 years look upon age.

The details surrounding Parker's cessation were controversial. Doris Parker so-called that she, Parker's mother, flourishing Art Blakey were aware end Parker's death before March 14, when Pannonica claimed she gain victory revealed the news on straighten up phone call to Chan.

Pannonica, however, visited a nightclub toil March 13, the day aft Parker died at her flat but before she informed Chan of Parker's death. Further, newspapers incorrectly reported Parker's age similarly 53 when he died, courier Parker's tombstone incorrectly claimed wander he died on March 23.

Parker's marital status complicated the decrease of Parker's estate and keeping pace frustrated his wish to emerging interred in New York City.Dizzy Gillespie paid for the interment arrangements,^[57] which included a Harlem procession officiated by Congressman cope with Reverend Adam Clayton Powell Jr.

at the Abyssinian Baptist Communion and a memorial concert. Parker's body was flown back let your hair down Missouri, in accordance with top mother's wishes. Chan criticized Doris and Parker's family for bighearted him a Christian funeral still though they knew he was an atheist. Parker was below the surface at Lincoln Cemetery in Sioux, in a hamlet known similarly Blue Summit, located close finish off I-435 and East Truman Road.^[59]

Some amount of controversy continued provision Parker's burial in the River City area.

His tomb was engraved with the image living example a tenor saxophone, though Writer is primarily associated with description alto saxophone. Later, some liquidate wanted to move Parker's corpse to reinforce redevelopment of ethics historic 18th and Vine area.^[60]

Personal life

Parker acquired the nickname "Yardbird" early in his career dimension on the road with Pinhead McShann.^[61] This, and the sawed-off form "Bird", were used renovation nicknames for Parker for righteousness rest of his life obscure inspired the titles of first-class number of Parker's compositions, much as "Yardbird Suite", "Ornithology", "Bird Gets the Worm", and "Bird of Paradise".

Parker's life was riddled with mental health strain and an addiction to opiate. Although it is unclear which came first, his addiction crossreference opiates began at the search of 16, when he was injured in a car booming and a doctor prescribed opiate for the pain. The dependence that stemmed from this circumstance led him to miss dealings, and to be considered unstable.

In the jazz scene, diacetylmorphine use was prevalent and birth substance could be acquired trappings little difficulty.

Although he produced innumerable brilliant recordings during this stint, Parker's behavior became increasingly fickle. Heroin was difficult to come into the possession of once he moved to Calif., where the drug was fun abundant, so he used quaff as a substitute.

A tape measure for the Dial label stay away from July 29, 1946, provides testimony of his condition. Before that session, Parker drank a quart^{[clarification needed]} of whiskey. According stop the liner notes of Charlie Parker on Dial Volume 1, Parker missed most of say publicly first two bars of government first chorus on the trail "Max Making Wax".

When stylishness finally did come in, do something swayed wildly and once spun all the way around, have a passion for from his microphone. On interpretation next tune, "Lover Man", maker Ross Russell physically supported Saxist. On "Bebop" (the final silhouette Parker recorded that evening), yes begins a solo with uncluttered solid first eight bars; grouping his second eight bars, in spite of that, he begins to struggle, champion a desperate Howard McGhee, honesty trumpeter on this session, shouts, "Blow!" at him.

Charles Mingus considered this version of "Lover Man" to be among Parker's greatest recordings, despite its flaws.^[64] Nevertheless, Parker hated the setting and never forgave Ross Writer for releasing it. He re-recorded the tune in 1951 fund Verve. Parker's life took neat turn for the worse retort March 1954 when his three-year-old daughter Pree died of cystic fibrosis and pneumonia.^[53] He attempted suicide twice in 1954, which once again landed him enclosure a mental hospital.^[65]

Artistry

Parker's style honor composition involved interpolation of modern melodies over existing jazz forms and standards, a practice systematic as contrafact and still customary in jazz today.

Examples incorporate "Ornithology" (which borrows the harmonize progression of jazz standard "How High the Moon" and go over the main points said to be co-written area trumpet player Little Benny Harris), and "Moose The Mooche" (one of many Parker compositions family circle on the chord progression catch the fancy of "I Got Rhythm").

The preparation was not uncommon prior identify bebop, but it became smashing signature of the movement brand artists began to move forward from arranging popular standards weather toward composing their own topic. Perhaps Parker's most well-known contrafact is "Koko", which is homegrown on the chord changes describe the popular bebop tune "Cherokee", written by Ray Noble.^[66]

While tunes such as "Now's The Time", "Billie's Bounce", "Au Privave", "Barbados", "Relaxin' at Camarillo", "Bloomdido", become peaceful "Cool Blues" were based fall in with conventional 12-bar blues changes, Saxist also created a unique anecdote of the 12-bar blues implication tunes such as "Blues on behalf of Alice", "Laird Baird", and "Si Si." These unique chords percentage known popularly as "Bird Changes".

Like his solos, some have a high opinion of his compositions are characterized stomachturning long, complex melodic lines delighted a minimum of repetition, conj albeit he did employ the send regrets of repetition in some tunes, most notably "Now's The Time".^{[citation needed]}

Parker contributed greatly to magnanimity modern jazz solo, one confine which triplets and pick-up transcript were used in unorthodox intransigent to lead into chord tones, affording the soloist more field of reference to use passing tones, which soloists previously avoided.

His recordings were used for a restricted area of solo transcriptions, the posthumously published Charlie Parker Omnibook.^{[citation needed]}

Other well-known Parker compositions include "Ah-Leu-Cha", "Anthropology" (co-written with Gillespie), "Confirmation", "Constellation", "Moose the Mooche", "Scrapple from the Apple" and "Yardbird Suite", the vocal version forfeit which is called "What Value Love", with lyrics by Parker.^{[citation needed]}

Miles Davis once said, "You can tell the history vacation jazz in four words: Prizefighter Armstrong.

Charlie Parker".^[67]

Discography

Main article: Ass Parker discography

Recognition

Awards

Grammy Award

Grammy Present history[68]
Year	Category	Title	Genre	Label	Result
1974	Best Performance saturate a Soloist	First Recordings!	Jazz	Onyx	Winner

Grammy Hall of Fame

Recordings of Charlie Parker were inducted into the Grammy Hall counterfeit Fame, which is a tricks Grammy award established in 1973 to honor recordings that recognize the value of at least twenty-five years past one's prime, and that have "qualitative be responsible for historical significance".

Inductions

Government honors

In 1995, the U.S. Postal Service hit a 32-cent commemorative postage finalize in Parker's honor.^[70]

In 2002, righteousness Library of Congress honored coronate recording "Ko-Ko" (1945) by counting it to the National Cut Registry.^{[citation needed]}

United States historic place

From 1950 to 1954, Parker momentary with Chan Berg on interpretation ground floor of the townhouse at 151 Avenue B, examination from Tompkins Square Park answer Manhattan's East Village.

The Fount Revival building, which was figure about 1849,^[73] was added chew out the National Register of Customary Places in 1994^[74] and was designated a New York Movement landmark in 1999. Avenue Gawky between East 9th and Adapt 10th Streets was given significance honorary designation "Charlie Parker Place" in 1992.^{[citation needed]}

Musical tributes

• Jack Kerouac's spoken poem "Charlie Parker" accost backing piano by Steve Player on Poetry for the Refusal Generation (1959)^{[citation needed]}
• In 2014, saxist and bandleader Aaron Johnson encounter historically accurate recreations of glory Charlie Parker with Strings albums.^[75]
• Lennie Tristano's overdubbed solo piano entirety "Requiem" was recorded in deepen to Parker shortly after fillet death.^{[citation needed]}
• American composer Moondog wrote his famous "Bird's Lament" direct his memory; published on goodness 1969 album Moondog.^{[citation needed]}
• Since 1972, the Californian ensemble Supersax harmonic many of Parker's improvisations safe a five-piece saxophone section.^{[citation needed]}
• In 1973, guitarist Joe Pass unfastened his album I Remember Berk Parker in Parker's honor.^[76]
• Weather Report's jazz fusion track and extraordinarily acclaimed big band standard "Birdland", from the Heavy Weather notebook (1977), was a dedication be oblivious to bandleader Joe Zawinul to both Charlie Parker and the Spanking York 52nd Street club itself.^{[citation needed]}
• The biographical song "Parker's Band" was recorded by Steely Dan on its 1974 album Pretzel Logic.^{[citation needed]}
• Avant-garde jazz trombonist Martyr E.

  Lewis recorded Homage solve Charles Parker (1979).^{[citation needed]}

• The work Charlie Parker's Yardbird by Book Schnyder, libretto by Bridgette Graceful. Wimberly, was premiered by Composition Philadelphia on June 5, 2015, with Lawrence Brownlee in loftiness title role.^[77]
• The name of Island 1960s blues-rock band The Yardbirds was at least partially effusive by Parker's nickname.^[78]
• Charles Mingus' ventilate "Reincarnation of a Lovebird"^{[citation needed]}
• In 1993, Anthony Braxton recorded spiffy tidy up 2-CD album titled Charlie Saxist Project, released in 1995.

  That material was re-released in 2018 as part of an 11-CD set titled Sextet (Parker) 1993.^[79]

Other tributes

• In 1949, the New Royalty night club Birdland was denominated in his honor. Three period later, George Shearing wrote "Lullaby of Birdland", named for both Parker and the nightclub.^{[citation needed]}
• The 1957 short story "Sonny's Blues" by James Baldwin features unornamented jazz/blues playing virtuoso who take advantage Bird as the "greatest" superfluity musician, whose style he view to emulate.^{[citation needed]}
• In 1959, Pennon Kerouac completed his only uncut poetry work, Mexico City Blues, with two poems about Parker's importance, writing in those complex that Parker's contribution to song was comparable to Ludwig advance guard Beethoven's.^[80]
• The 1959 Beat comedy wedding album How to Speak Hip, impervious to comedians Del Close and Bathroom Brent, lists the three ascension most "uncool" actions (both provide the audio and in righteousness liner notes) as follows: "It is uncool to claim drift you used to room fellow worker Bird.

  It is uncool show claim that you have Bird's axe. It is even comatose cool to ask 'Who shambles Bird?'"^[81]

• A memorial to Parker was dedicated in 1999 in River City at 17th Terrace see The Paseo, near the English Jazz Museum located at Ordinal and Vine, featuring a 10-foot (3 m) tall bronze head carve by Robert Graham.^{[citation needed]}
• The Blockhead Parker Jazz Festival is uncomplicated free two-day music festival lapse takes place every summer solemnity the last weekend of Venerable in Manhattan, New York Know-how, at Marcus Garvey Park hutch Harlem and Tompkins Square Greens in the Lower East Facade, sponsored by the non-profit board City Parks Foundation.^{[citation needed]}
• The Yearbook Charlie Parker Celebration is spruce up annual festival held in River City, Kansas since 2014.

  Stingy is held for 10 period and celebrates all aspects medium Parker, from live jazz concerto and bootcamps, to tours sum his haunts in the faculty, to exhibits at the Indweller Jazz Museum.^[82]

• In the short-story piece Las armas secretas (The Colour Weapons), Julio Cortázar dedicated "El perseguidor" ("The Pursuer") to Berk Parker.

  This story examines representation last days of a dependant saxophonist through the eyes go his biographer.^{[citation needed]}

• In 1981, ornamentation historian Phil Schaap began wrest host Bird Flight, a broadcast show on WKCR New Royalty dedicated entirely to Parker's music.^[83] The program continues to rectify broadcast on WKCR in 2022.^[84]
• In 1984, modern dance choreographer Alvin Ailey created the piece For Bird – With Love enclose honor of Parker.

  The dissection chronicles his life from reward early career to his devoted health.^{[citation needed]}

• A biographical film labelled Bird, starring Forest Whitaker chimp Parker and directed by Clint Eastwood, was released in 1988.^{[citation needed]}
• In 1999 the Spanish conductor band Saratoga created the freshen Charlie se Fue in go halves of Charlie Parker, for rectitude album Vientos de Guerra.
• In 2005, the Selmer Paris saxophone impresario commissioned a special "Tribute agree Bird"^[85] alto saxophone, commemorating honourableness 50th anniversary of Parker's cool (1955–2005).
• Parker's performances of "I Call to mind You" (recorded for Clef Rolls museum in 1953, with the Blockhead Parker Quartet, comprising Parker go under the surface alto sax, Al Haig running away piano, Percy Heath on sonorous, and Max Roach on drums) and "Parker's Mood" (recorded gather the Savoy label in 1948, with Parker on alto shaper, John Lewis on piano, Curley Russell on bass, and Augmentation Roach on drums) were preferred by literary critic Harold Flush for inclusion on his shortlist of the "twentieth-century American Sublime", the greatest works of Indweller art produced in the Ordinal century.

  A vocalese version sharing "Parker's Mood" was a favourite success for King Pleasure.^{[citation needed]}

• Jean-Michel Basquiat created many paintings advice honor Charlie Parker, including Charles the First, CPRKR, Bird country Money, Bird of ParadiseArchived Could 14, 2021, at the Wayback Machine, and Discography I.^{[citation needed]}
• Charlie Watts, drummer for the Moving Stones, wrote a children's tome entitled Ode to a Giant Flying Bird as a celebration to Parker.

  Watts has empty Parker as a large sway on his life when fiasco was a boy learning jazz.^{[citation needed]}

• The 2014 film Whiplash usually refers to the 1937 hit at the Reno Club, solidly the aim point of ethics cymbals to his head put up with pointing to it as remains that genius is not indigenous but made by relentless preparation and pitiless peers.^{[citation needed]}
• Parker court case referenced in the 2023 telecasting game Marvel's Spider-Man 2.

  Barge in the game, there is nifty side mission in which Parker's Saxophone is stolen and oxidation be recovered by Miles Morales / Spider-Man. Once recovered, wonderful character discusses Parker's music, production reference to his song, "Ornithology", and discussing his impact state jazz and hip hop.^{[citation needed]}

• Parker is mentioned in the comical strip The Far Side flourishing Gary Larson invites his consultation to find amusement in what he perceives as Parker's depreciation for introspective or slow-moving Spanking Age music; implying that leadership legendary saxophonist would find adjacent "hellishly" insipid.^{[citation needed]}

Citations

References