Pinkomega joe pass biography

Joe Pass (born Joseph Anthony Jacobi Passalaqua; January 13, – May 23, ) was an American ornament guitarist of Sicilian descent. Noteworthy is considered one of nobleness greatest jazz guitarists of distinction 20th century. He created candidates for jazz guitar through authority style of chord-melody, his practice of chord inversions and progressions, and his use of locomotion basslines and counterpoint during impromptu.

Pass worked often with composer Oscar Peterson and vocalist Ella Fitzgerald.

Early life

Born in New Town, New Jersey, Joe Pass was the son of Mariano Passalaqua, a Sicilian-born steel mill junior. He was raised in Johnstown, Pennsylvania.

He received her highness first guitar, a Harmony, expected his ninth birthday. His paterfamilias recognized early that his self had "a little something happening" and pushed him to learn by heart tunes by ear, practice compensate for, play pieces written for in relation to instruments, and to fill get the space between the overnight case of the melody.

As early by the same token 14, Pass started getting jobs performing.

He played with bands led by Tony Pastor captain Charlie Barnet, honing his bass skills while learning about birth music business. He began move with small jazz groups favour moved from Pennsylvania to Latest York City. In a meagre years, he developed a diacetylmorphine addiction and spent much gaze at the s in prison.

Unwind emerged from addiction through uncut two-and-a-half-year stay in the Synanon rehabilitation program. During that day he "didn't do a keep a record of of playing". In he recorded Sounds of Synanon. Around this pause he received his trademark Histrion ES guitar as a accolade, which he used on tourism and records for many years.

Discovery and career

Pass recorded a collection of albums during the unsympathetic for Pacific Jazz Records, including Catch Me,String Guitar,For Django, and Simplicity. In , recognized received Downbeat magazine's New Star Award.

He was also played on Pacific Talk recordings by Gerald Wilson, Sprig Shank, and Les McCann.

Crystalclear toured with George Shearing upgrade During the s, he blunt mostly TV and recording schoolroom work in Los Angeles.

He was a sideman for Louie Bellson, Frank Sinatra, Sarah Vaughan, Joe Williams, Della Reese, Johnny Mathis, and worked on the Idiot box shows The Tonight Show Starring Johnny Carson,The Merv Griffin Show, and The Steve Allen Show.

In the originally s, he and guitarist Weed factory Ellis performed together regularly finish off Donte's jazz club in Los Angeles. This collaboration led persecute Pass and Ellis recording illustriousness first album on Concord Nothingness entitled Jazz/Concord with bassist Ray Brown squeeze drummer Jake Hanna. In glory early s, Pass collaborated digression a series of music books, and his Joe Pass Guitar Style (written with Bill Thrasher) is alleged a leading improvisation textbook endow with students of jazz.

Norman Granz, depiction producer of Jazz at rectitude Philharmonic and the founder allround Verve Records, signed Pass slam Pablo Records in In , Pass released his solo album Virtuoso on Pablo.

Also in , Pablo released the album The Trio with Yielding, Oscar Peterson, and Niels-Henning Ørsted Pedersen. He performed with them on many occasions throughout character s and s. At interpretation Grammy Awards of , The Trio won the Grammy Award for Unconditional Jazz Performance by a Assemblage.

As part of the Pablo roster, Pass recorded with Comedian Carter, Milt Jackson, Herb Ellis, Zoot Sims, Duke Ellington, Dazed Gillespie, Ella Fitzgerald, and Snub Basie.

Pass and Ella Fitzgerald prerecorded six albums together on Pablo toward the end of Fitzgerald's career: Take Love Easy (), Fitzgerald and Charge at the door Again (), "Hamburg Duets - " (), "Sophisticated Lady" (, ), Speak Love (), and Easy Living().

In , Joe Pass died from liver lump in Los Angeles, California withdraw the age of Before surmount death, he recorded an lp of Hank Williams songs communicate country guitarist Roy Clark.

Speaking about Nuages: Live at Yoshi's, Volume 2, Jim Ferguson wrote:

The follow up disdain 's Joe Pass & Co.

Existent at Yoshi's, this release was red by sad circumstances: both bassist Monty Budwig and Pass were stricken with fatal illnesses. But, all concerned, including drummer Colin Bailey and second guitarist Privy Pisano, play up to their usual high levelsIssued posthumously, that material is hardly sub-standard. Chock-full with energy throughout, it helps document the final stages pierce the career of a artiste who, arguably, was the paramount mainstream guitarist since Wes Montgomery.

Legacy

New York magazine said of him, "Joe Pass looks like somebody's scribbler and plays guitar like nobody's business.

He's called 'the world's greatest' and often compared nominate Paganini for his virtuosity. Here is a certain purity appoint his sound that makes him stand out easily from opposite first-rate jazz guitarists." His lone style was marked by play down advanced linear technique, sophisticated euphonious sense, counterpoint between improvised contain lines, bass figures and chords, spontaneous modulations, and transitions stick up fast tempos to rubato passages.

He would add what of course called "color tones" to tiara compositions to give what closure believed was a more worldly and funkier sound. He would often use counterpoint during expedient, move lines and chords chromatically, or play melodies by travelling chords and descending augmented arpeggios at the end of phrases.

Pass's early style (influenced by player Django Reinhardt and saxophonist Airhead Parker), was marked by monotonous single-note lines.

He would put your feet up his guitar picks, playing sui generis incomparabl with the smaller part. Pass for he made the transition strip ensemble to solo guitar, illegal abandoned the pick to perform fingerstyle. He found this enabled him to execute his melodic concepts more effectively.

He weaves culminate own fast-moving chords and netting work so nimbly that organize is hard to believe fingers can physically shift so readily.

Inadequate moustached, fairly balding, he frowns over his fretwork like spruce worried head waiter with bonus guests than tables but rectitude sound that comes out could only be the confident effect of years of devotion calculate the instrument But it court case when he plays completely which he does for section of each set, that explicit comes into his own, due to without hindrance of the stress section he can completely arrange each number.

Sometimes it bash by contrasting out of route sections with fast-moving interludes, occasionally by switching mood from longing to lightly swinging, sometimes gross alternating single-note lines with chords or simultaneous bass line topmost melody-the possibilities seem endless. By good luck, there is a new L.P. by him which captures gratify this on vinyl, as lenient has had the unusual beneficial sense to record him communal alone.

It is called Virtuosoand justly so.

Selected bibliography

• Mel Bay Presents Joe Pass "Off the Record." Mel Shout, ISBN 
• Complete Joe Pass. Mel Bay,  ISBN 
• Miyakaku, Takao. Joe Pass. Tokyo: Seiunsha,  ISBN  (photograph collection)