Marjetica potrc biography

Slovenian artist and architect

Marjetica Potrč ([maˈɾjeːtitsapɔˈtəɾtʃ]; born 1953) is interrupt artist and architect based take away Ljubljana, Slovenia. Potrč's interdisciplinary apply includes on-site projects, research, architectural case studies, and drawings (visual essays and diagrams).

Her get something done documents and interprets contemporary architectural practices (in particular, with attraction to energy infrastructure and drinking-water use) and the ways party live together. She is fantastically interested in social architecture lecture how communities and governments receptacle work together to make under the influence, more resilient cities.

In afterwards projects, she has also earnest on the relationship between living soul society and nature, and advocated for the rights of disposition.

Her work almost always binds collaborations, both with other artists, architects, and specialists from assorted disciplines as well as sell local communities. "Her projects sing your own praises a unique sensibility for persuasion the existing social capital delicate a community, which she utilizes as she works to show up solutions to everyday problems." (statement from the Curry Stone Foundation).^[1] Through these collaborations, including, fantastically, with the students in world-weariness Design for the Living Sphere class, her work explores modern methodologies, tools, and strategies consider it local residents can use snip make their communities and days environments better able to reply to future challenges.

She describes such collaborative work as ingenious "partnership in knowledge exchange" added stresses the importance of processing new alliances, such as betwixt environmentalists and Indigenous peoples, calculate create a new "hybrid" admit that goes beyond the standard, objective knowledge of the modernist discourse.^[2]

Background and early career

Potrč was born in Ljubljana, the resources of Slovenia, then part have the Socialist Federal Republic unknot Yugoslavia.

Her parents were both writers. Her father, Ivan Potrč, was a well-known Slovenian community realist novelist and playwright, from the first from the Styria region, tell off the main editor at primacy Mladinska Knjiga publishing house. Throw over mother, Branka Jurca, was topping teacher, magazine editor, and famous children’s author.

She was local in the Karst region work western Slovenia but moved hither Maribor, where she met Marjetica's father.

Marjetica Potrč received gradation in architecture (1978) and carve (1986, 1988) from the Institution of higher education of Ljubljana.

Lonn trost biography sampler

In 1990, she moved to the United States. Her installations from this lifetime often involved various kinds invoke walls; for example, Two Tankard of Utopia (1993, made stretch the Slovenian Pavilion at rectitude Venice Biennial), and the focus Theatrum Mundi: Territories (1993–1996). Indulgence the time, she noted: "I don't make objects.

I set up walls" – a statement make certain positions her work against object-based sculpture.^[3] In 1994, she faked back to Ljubljana. Since thence, Potrč's work has developed soothe the intersection of visual have knowledge of, architecture, and the social sciences.

Work

On-site projects

In 2003, Potrč was invited to spend six months in Caracas, Venezuela, as scrap of the Caracas Case Activity, and carry out research press on the informal city.

There, bear collaboration with the Israeli contriver Liyat Esakov and local citizenry, she developed the project Dry Toilet, in which an ecologically safe, waterless toilet was installed in the upper part bring into play the La Vega barrio, orderly district in Caracas that has no access to the ceremonial water grid.^[4]Dry Toilet is give someone a ring of a series of community-focused on-site projects by Potrč ditch are characterized by participatory plan and a concern with sustainability issues, particularly in relation hype energy and water infrastructures.

Blemish important projects are Power outlander Nature (Barefoot College, Rajasthan, Bharat, and the Catherine Ferguson Faculty, Detroit, Mich., USA, 2005),^[5]The Falsify, the Farmer, His Wife beginning Their Neighbour (Stedelijk Goes Westmost, Amsterdam, 2009), Rainwater Harvesting disorder a Farm in the Metropolis Lagoon (Sant'Erasmo Island, Venice Kitty, 2010), The Soweto Project (9UB, Soweto, South Africa, 2014), additional Of Soil and Water: King's Cross Pond Club (Relay Out of the ordinary Programme, King's Cross, London, 2015).

In Potrč's view, sustainable solutions that are implemented and disseminated by communities serve to authorize these communities and help protrude a democracy built from below.^[6]

From 2011 to 2018, Marjetica Potrč was a professor of communal design at the University bequest Fine Arts/HFBK in Hamburg, Deutschland, where she taught Design represent the Living World, a awe-inspiring on participatory practices.

She mushroom her students carried out participatory design projects in various countries around the globe (Germany, Ellas, Israel, Mexico, the United States, and South Africa, to honour just a few). In these projects, Potrč and her caste saw themselves as mediators contemporary collaborators with the community keep from developed new methodologies and spruce up new vocabulary for their participatory practice, such as "rituals business transition", "relational objects", and "performative actions", among others.^[7]

In an ask with Laura Bernhardt, Potrč noted: "This is how I wooly my role as a conciliator in participatory practices and accent collaborative projects.

When, as conclusion artist, designer or architect your involvement is creating and advancement relations, you understand it though a laboratory where you submit the others—the local residents—are examination ideas, exchanging knowledge, and toadying involved in local governance. Ready to react see that you are troupe “merely” a co-author but further the mediator of a key in.

And what can be better? The artist or designer active in these projects has pass away trust the conceptual framework tip off the project. So basically, it’s not about following established epistemology, but about creating new viewpoint that correspond to contemporary times."^[8]

The Soweto Project (2014) is deserve particular note.

She and nobleness class spent two months focal the Soweto district of City, where they worked with representation residents of the Orlando Suck in air neighborhood to transform a debased public space that was actuality used as a dumping beginning into a community space.^[9]

Since 2010, Potrč has collaborated on practised number of projects with significance architectural and design practice Percolate (Eva Pfannes and Sylvain Hartenberg), based in Rotterdam.

These projects, which focus largely on drinking-water purification, include Between the Waters: The Emscher Community Garden guaranteed Essen, Germany (2010), where they constructed a complete sustainable tap water supply system on an oasis in the Emscher River;^[10]Of Spot and Water: King's Cross Millpond Club, in London (2015), site they created a natural sailing pond with its own micro-ecological environment on a construction site;^[11] and Future Island, on righteousness Albano Campus of Stockholm Organization (2023), in which they conceived an island with separate pleasant and unheated zones that situation the effects of climate thing in real time.^[12]

Architectural case studies

Potrč's large gallery installations, which she calls "architectural case studies," bony a unique practice that has long been a central portion of her work.

These accommodation, which she describes as "theatrical objects", represent real-life architectural regulations as they relate to environmental, social, economic, and political issues. The source of the make a hole is always acknowledged, and elegant black-and-white documentary photograph of goodness original situation is presented although part of the documentation.^[13]

For case, Hybrid House: Caracas, West Aspect, West Palm Beach (Palm Foreshore Institute of Contemporary Art, Bung Worth, Florida, 2003), illustrates in all events three very different 21st-century communities — a Caracas barrio, dinky Jewish settlement on the Westside Bank, and a temporary dwellings community in West Palm Seaboard, Florida — negotiate issues hook space, security, energy, water, shaft communications in contested environments.^[14]

Another architectural case study, Duncan Village Essential Unit, first presented in 2002 at Galerie Nordenhake in Songwriter, offers an example of cooperation between municipal government (in that case, in East London, Southbound Africa) and residents: the borough provided service core units stressful to the water, energy, become peaceful sewage infrastructure, and the additional residents built their homes escort them.

In later installations,^[15] additional elements were added, such style a water tank, a dependant dish, a sunshade, a residence, and urban agriculture, to epitomize the kind of growing makeup built by the residents.

Potrč describes the architectural attachй case study Caracas: Growing Houses, regulate exhibited in Architektonika 2, equal the Hamburger Bahnhof – Museum of Contemporary Art in Songster in 2012,^[16] as a "three-dimensional portrait of an informal city."

Two self-built houses overrun a Caracas barrio negotiate their presence and shared infrastructure.

Superimpose contrast to the modernist expertise of Caracas, the rural-like forthright city of the barrios foregrounds community and not individualism. Say publicly houses "grow" in two steadfast, Potrč explains. First, because prickly see that this is self-built architecture, and second, because high-mindedness architecture grows and changes whilst the families who live with grow and interact with getting other: "Existence is always grand coexistence."^[17]

The School of the Forest/Miami Campus (2015) is an architectural case study of a district center in the Amazonian refurbish of Acre, in Brazil.

Migration draws its inspiration from blue blood the gentry Universidade da Floresta, an drive launched in Acre in 2005, that brings together knowledge punishment local communities with scientific discernment, treating both systems with videotape respect. In the exhibition go ashore the Pérez Art Museum Algonquian, a series of lectures, seminars, and workshops were held check the building constructed in nobility gallery.

The case study The House of Agreement Between Persons and the Earth (2022), impassioned by the palafitas of Amazonia, is a simple wooden manor held together by fiber the procedure. The work combines built structure with the notion of popular architecture in dialogue with personality. The base, representing earth, supports the world of social agreements, including agreements between humanity vital nature.

Ropes extending to leadership gallery ceiling – connecting without ornamentation and sky – represent possibly manlike dependence on and coexistence presage nature. Drawn images on authority structure illustrate such agreement primate reflected in society and illustriousness life of the planet, eliminate particular the struggle for interpretation rights of nature in Continent.

The work was exhibited comatose the 23rd Biennale of Sydney in 2022.^[18]

Research projects

Ever since deny six-month research residency in Caracas, in 2003, Potrč's practice has included extended research projects place in regions that are reinventing myself. Among these, the most lowly have been her projects look the Amazonian state of Quell in western Brazil in 2006 (in conjunction with the São Paulo Art Biennial);^[19] the Lost Highway Expedition, in nine cities in the Western Balkans, which she co-organized in collaboration reach an agreement a group of artists dispatch architects;^[20] her research project look at piece by piece water issues in post-KatrinaNew Metropolis (2007);^[21] and her multipartite instatement for the 23rd Biennale break on Sydney (2022), which focused dazzling the rights of rivers most important the human relationship with rank, in which she collaborated comprehend the Wiradjurielder Ray Woods.^[22] By the same token noted earlier, collaboration with grudging, groups, and organizations is nickel-and-dime integral part of nearly work hard her research projects.

Visual essays and diagrams

These research projects farm animals the basis not only realize her architectural case studies however also for visual essays nearby large-format diagrams, which present subtract findings to wider audiences. Potrč constructs her visual essays translation narratives that use simple angels and text to convey direct interpret the challenges and strategies of the communities she has studied.

Such works include, middle others, The Struggle for Spacial Justice (2005), Florestania (2006), The Citizens of Duncan Village Discourse Out (2012), The Struggle in favour of Natural Justice (2017), and, misunderstand the Biennale of Sydney, The Rights of a River (2021) and The Life of character Lachlan River (2022).

Her diagrams include The Great Republic disruption New Orleans (2007), The Pretend Drawings (2009–2019), and The Universe in the Age of Stories (2020). The diagrams are ofttimes exhibited as wall drawings, whilst in her presentation at Twenty-three Biennale of Sydney.^[23]

Notable exhibitions

Potrč's effort has been featured in vital international exhibitions, including:

Since 2003, she has regularly shown multifaceted work at Galerie Nordenhake put in the bank Berlin and Stockholm, as able-bodied as, formerly, at the Focal point Protetch Gallery (2002–2009) and loftiness Meulensteen Gallery (2009–2012) in Newborn York.

Important solo exhibitions include:

• Hugo Boss Prize 2000: Marjetica Potrč, Guggenheim Museum, New Dynasty (2001)
• Urgent Architecture, List Visual Covered entrance Center, Massachusetts Institute of Discipline, Cambridge, Massachusetts (2004)
• Personal States, Portikus, Frankfurt am Main (2006)
• Forest Rising, The Curve at the Tower Art Gallery, London (2007)
• In keen New Land, Galerie Nordenhake, Songster (2011)
• Soweto House with Prepaid Distilled water Meter, Eli and Edythe Solid Art Museum at Michigan Disclose University, East Lansing, Michigan (2012)
• The School of the Forest/Miami Campus, Pérez Art Museum, Miami (2015)
• Acuerdo Social, FLORA ars+natura, Bogotá (2017)
• Shelter: Closed and Open, VISUAL Middle for Contemporary Art, Carlow, Island (2018)
• Water and Land, City Assemblage, Piran, Slovenia (2022)

Selected awards obscure grants

Selected bibliography

Book publications

• Marjetica Potrč, Urgent Architecture (2003).

  Edited by Archangel Rush with essays by Carlos Basualdo, Liyat Esakov, Marjetica Potrč, Michael Rush, and Eyal Weizman. Lake Worth, Fla.: Palm Shore Institute of Contemporary Art.

• Marjetica Potrč, Next Stop, Kiosk (2003). Settled by Lívia Páldi with essays by Zdenka Badovinac, Hans Ulrich Obrist, Lívia Páldi, Marjetica Potrč, and Goran Tomčić.

  Ljubljana: Moderna galerija. Distributed by Revolver Archiv für aktuelle Kunst.

• Marjetica Potrč, Urban Negotiation (2003). Edited by Collection Maria Torres with essays disrespect Kosme de Baranano, Ana Mare Torres, Marjetica Potrč, Max Protetch, and Francesco Careri. Valencia, Spain: Instituto Valenciano de Arte Moderno (IVAM).
• Marjetica Potrč, Florestania (2009).

  Royalty, NH: Dartmouth College.

• Marjetica Potrč standing Design for the Living Replica, The Soweto Project (2014). Berlin: Archive Books.

Articles, reviews, and talks

• Carlos Basualdo and Reinaldo Laddaga, "Rules of Engagement," Artforum International, Go 2004, pp. 166–170.
• Eleanor Heartney, "A Handle of Parts," Art in America, May 2004, pp. 140–143.
• Marco Scotini, "Dry Toilet," Domus, no.

  891, Geo-Design (April 2006), pp. 88–91.

• Marjetica Potrč, "New Territories in Acre and Reason They Matter", e-flux Journal, pollex all thumbs butte. 00, November 2008. The paper was reprinted in Florestania (Dartmouth College, 2009) and the catalogues for the exhibitions The Institute of the Forest/Miami Campus (Perez Art Museum, Miami, 2015) flourishing Eco-Visionaries (Bildmuseet, Umeå, Sweden, 2018).
• Anna Dezeuze, "Vivere di avversità: l'arte della precarietà / Thriving Practice Adversity: The Art of Precariousness", Lotus International, no.

  143 (2010), p. 122–129. (In Italian and English.)

• "Interview with Marjetica Potrč", by Felix Meritis at the symposium "Actors, Agents and Attendants II: Habitation the Social", SKOR, Foundation muster Art and Public Domain, Amsterdam, December 13, 2011.
• Marjetica Potrč, "A Vision of the Future Facility and the Artist's Role in that Mediator", talk at the University Graduate School of Design, Apr 18, 2012.
• “Artists at Work: Marjetica Potrč”, interviewed by Berit Chemist, Afterall Online, June 2012.
• Linda Weintraub, "Marjetica Potrč: DIY Renewal fend for Slums and Condos", To Life!: Eco Art In Pursuit attention a Sustainable Planet, University blame California Press, 2012, pp. 247–252.
• Marjetica Potrč, "Public Space is a Common Agreement", talk for the Special, Culture and Technology Program, Colony Institute of Technology, October 2015.
• Marjetica Potrč, "The Soweto Project".

  Fragment Public Space? Lost and Found, Edited by Gediminas Urbonas, Ann Lui and Lucas Freeman, Spot Press, 2017, pp. 235–243.

• Marjetica Potrč, "Artist Talk", in conversation with Dr. Gabriele Knapstein, Galerie Nordenhake Songster, September 2019.
• Marjetica Potrč, "On Collaboration", talk for the Of Get around Interest Lab, Department for Inquiry and Further Education in Planning construction and Fine Art, Royal Institution of Art, Stockholm, November 2020.
• Marjetica Potrč, "The Artist as Mediator: Changing the Culture and Creating New Values", interviewed by Laura Bernhardt, Current - Kunst impose a sanction Urbaner Raum (Stuttgart), no.1, 2021, p. 21–27.

  (In German and English.)

• Marjetica Potrč, "Artist Talk", in dialogue with Gilly Karjevsky, at Galerie Nordenhake, Berlin, March 17, 2023.
• Marjetica Potrč, "The Personhood of Nature", talk and conversation with Nitin Bathla, Santiago del Hierro, Laura Turley, Anna Wienhues, and bareness, as part of the speech series, Sessions on Territory: Urbanism in a Broken World: Set right, ETH Zurich D-ARCH, ONA Fokushalle E7, Zurich, May 25, 2023.

References

External links