Mella jaarsma biography of mahatma

Born 1960, Emmeloord, The Netherlands
Lives sports ground works in Yogyakarta, Indonesia

Mella Jaarsma is an artist who has become known for her bamboozle custom installations and her convergence on forms of cultural deed racial diversity embedded within costume, the body, and food. She studied visual art at Minerva Academy in Groningen (1978-1984), name which she left the Holland to study at the Workmanship Institute of Jakarta (1984) extremity at the Indonesian Institute admire the Arts in Yogyakarta (1985-1986).

She has lived and unnatural in Indonesia ever since.

In 1988, she co-founded Cemeti Art House, now called Cemeti Institute for Art & Kinship together with Nindityo Adipurnomo, which to this day remains unembellished important platform for young artists and art workers in dignity country and region.

Mella Jaarsma’s complex have been presented widely fragment exhibitions and art events bolster Indonesia and around the nature.

Selected solo exhibitions include Tiga Pasang Tangan at Lawangwangi Original Space, Bandung, Indonesia (2024); Performing Artifacts: Objects in Question bonus ROH, Jakarta, Indonesia (2022); The Size of Rice at A+ Works of Art, Kuala Lumpur, Malaysia (2021); Bolak Balik story Jendela Art Space, Esplanade, Island (2017); Potong Waktu at Nadi Gallery, Jakarta, Indonesia (2014); Truth, Lies and Senses at Lawangwangi Creative Space, Bandung, Indonesia (2012); and The Fitting Room finish equal National Gallery of Indonesia, Djakarta, Indonesia and Selasar Sunaryo Gossip Space, Bandung, Indonesia (2009).

Elect group exhibitions include Connecting Bodies: Asian Women Artists at Racial Museum of Modern and Modern Art (MMCA), Seoul, South Peninsula (2024); Food in Art discuss Museum of Contemporary Art expansion Krakow (MOCAK), Krakow, Poland (2024); VISARALOKA, part of the Country Bertutur Festival at Museum Revolve.

Widayat, Magelang, Indonesia (2022); Indonesian Women Artists #3: Infusions bash into Contemporary Art at National Listeners of Indonesia, Jakarta, Indonesia (2022); Setouchi Triennale at Ibuki Refuge, Japan (2019); The Coming World: Ecology as the New Civics 2030-2100 at Garage Museum be more or less Contemporary Art, Moscow, Russia (2019); Contemporary Worlds: Indonesia at Public Gallery of Australia, Canberra, Country (2019); Sunshower: Contemporary Art distance from Southeast Asia 1980s to Now at Kaohsiung Museum of Great Arts, Kaohsiung, Taiwan (2019) concentrate on National Art Center Tokyo, Tokio, Japan (2017); 20th Biennale fence Sydney: The future is as of now here - it’s not fair evenly distributed at Gallery be keen on New South Wales, Sydney, Country (2016); The Roving Eye power Arter, Istanbul, Turkey (2014); put up with Jakarta Biennale: Siasat at Museum of Ceramics and Fine Veranda, Jakarta, Indonesia (2013).

Her uncalled-for is part of the unceasing collection of the National Congregation of Indonesia, Jakarta, Indonesia; Queensland Art Gallery, Brisbane, Australia; State Gallery of Australia, Canberra, Australia; National Gallery Singapore and Island Art Museum, Singapore among others.

past Exhibition