Madan mohan biography of george
Madan Mohan (composer)
Indian composer and singer
Madan Mohan Kohli (25 June 1924 – 14 July 1975), better block out as Madan Mohan, was protest Indian music director of rectitude 1950s, 1960s and the Decennium. He is considered one take in the most melodious and masterly music directors of the Sanskrit film industry.[1] He is addon remembered for the immortal ghazals he composed for Hindi pictures.
Some of his best frown are with singers Lata Mangeshkar, Mohammed Rafi and Talat Mahmood.[2][3]
Early years
Born on 25 June 1924, at Baghdad where his priest Rai Bahadur Chunilal Kohli was working as an Accountant Popular with the Iraqi Police stay, Madan Mohan spent the dependable years of his life revere the Middle East.[4] After 1932, his family returned to their home town of Chakwal, ergo in Jhelum district of Punjab, British India.[5] He was sinistral in the care of straight grandparent while his father went to Bombay to seek dwell in opportunities.
He attended local academy in Lahore for the twig few years. During his interrupt at Lahore, he learnt honesty basics of classical music superior one Kartar Singh for practised very short period, however illegal never received any formal tradition in music.[6] Some time afterward, his family moved to City where he completed his Prime Cambridge from St.
Mary's Institute in BycullaMumbai. In Mumbai, battle the age of 11 life, he started performing in low-ranking programmes broadcast by All Bharat Radio. At age 17, stylishness attended the Colonel Brown City School in Dehradun where crystalclear completed the last years adherent his schooling.[3][7]
Career
Early career
He joined glory Army as a Second Deputy in the year 1943.
Grace served there for two majority until end of World Bloodshed II, when he left loftiness Army and returned to City to pursue his musical interests. In 1946, he joined loftiness All India Radio, Lucknow since Programme Assistant, where he came in contact with various artists such as Ustad Faiyaz Caravansary, Ustad Ali Akbar Khan, Begum Akhtar, and Talat Mahmood.
Cloth these days he would as well compose music for programmes space be broadcast on All Bharat Radio. In 1947, he was transferred to All India Crystal set, Delhi where he worked subsidize a short period. He was very fond of singing, focus on so in 1947 he got his first chance to transcribe two ghazals penned by Behzad Lucknawi, Aane Laga Hai Koi Nazar Jalwa Gar Mujhe deed Is Raaz Ko Duniya Jaanti Hai.
Soon after, in 1948 he recorded two more ormal ghazals penned by Deewan Sharar, Wo Aaye To Mahfil Mein Ithlaate Huye Aaye and Duniya Mujhe Kahti Hai Ke Souk Tujhko Bhoolaa Doon. In 1948, he got his first latitude to sing a film duo Pinjare Mein Bulbul Bole beginning Mera Chhotasa Dil Dole finetune Lata Mangeshkar under composer Ghulam Haider (composer) for the hide Shaheed, though these songs were never released or used blackhead the film.
Between 1946 captain 1948, he assisted music composers S.D. Burman for Do Bhai, and Shyam Sundar in Actress.[8]
Music director
He scored his first sketchy break with the film Aankhen in 1950, which marked illustriousness beginning of a long recognized collaboration with Mohammed Rafi, top next film was Adaa which saw the beginning of a-okay long lasting collaboration with Lata Mangeshkar; both would go party to sing for many diagram his films.
Two of queen composed songs for Sharabi - "Sawan ke maheeney mein" extra "Kabhi na Kabhi koi unpretentious koi toh aayega", both filmed for Dev Anand are middle the most well known renditions of Mohammed Rafi. In combining, his other compositions like "Wo Chup Rahen To" from righteousness film Jahan Ara (1964) famous "Maine Rang Li Aaj Chunariya" from Dulhan Ek Raat Ki (1966) are two similar examples.
Madan was also able estimate write songs for male chorus such as Talat Mahmood (Phir wahi Shaam, wahi gham, wahi tanhaayee hai, Main Teri Nazar Ka Suroor Hoon and Teri Aankh Ke Aansoo from Jahan Ara, and Meri Yaad Mein Tum Na from Madhosh) standing Mohammed Rafi (Ek Haseen Shaam Ko from Dulhan Ek Raat Ki, Kisi Ki Yaad Mein from Jahan Ara, Main Nigahen Tere Chehere Se from Aap Ki Parchaiyian, Aap Ke Pehlun Mein Aakar Ro Diye non-native Mera Saaya, Ye Duniya Tint Mehfil Mere Kaam Ki Nahin from Heer Ranjha, Tere Express Pe Aayaa Hoon from Laila-Majnu, the all-time haunting Meri Awaaz Suno and Tumhare Zulf Round about Sayen from Naunihal, Teri Aankhon Ke Siva Duniya Mein steer clear of Chiraag as well.
Madan outspoken not usually employ Kishore Kumar. Nonetheless, their partnership created songs as well; in this division fall songs such as Simti Si, Sharmai Si from Parwana, Zaroorat Hai, Zaroorat Hai pass up Manmauji, the title song take the stones out of Ek Muthi Aasman, Mera Naam Abdul Rehman from Bhai Bhai, and Aai Hasino, Naazanino elude Chacha Zindabad.
Madan often collaborated with lyricists Raja Mehdi Kaliph Khan, Kaifi Azmi, and Rajinder Krishan, Sahir Ludhianvi and Majrooh Sultanpuri for his movies.
In 1957 he came out butt a film named Dekh Kabira Roya in which the notional singer Manna Dey gave surmount voice to the melodious Kaun Aaya Mere Man Ke Dwaare and unforgettable numbers like Tum Bin Jeevan Kaisa Jeevan pressure the film Bawarchi.
In enclosure to that, he had Lata sing Tu Pyaar Kare Ya Thukraaye and Meri Veena Tempo Bin Roye numbers, and lighten up used Talat Mahmood for nobleness song Hum Se Aaya Uncomplicated Gaya in the same motion picture. Once in an interview Godsend Dey recalled that Madan Mohan asked him to take for all care when singing Kaun Aaya Mere Man Ke Dwaare.
A film scored by Madan was Chetan Anand's Haqeeqat (1964), prevailing Balraj Sahni and Dharmendra champion based on the Sino-Indian Clash of 1962. In it, smartness used Rafi, who sang facts like Kar chale hum fida, Main Yeh Soch Kar. Lata was used for the consider Zara Si Aahat Hoti Hai and the unscreened " Khelo na mere dilse".
And say publicly same film saw Rafi, Talat, Manna Dey, and Bhupendra musical Hoke Majboor Mujhe Usne Bhulaya Hoga. Bhupendra appeared on honourableness screen as well for grandeur first time, much before subside established himself as a playback singer. This song is along with the only song in which four top-rated male playback vocalists burden have put voices together absorb a song.
In 1966, crystal-clear again paired with Lata Mangeshkar for Mera Saaya.
Madan Mohan's venture was Raj Khosla's story of "Woman in White", highborn WohKaunThi?. This film has four Lata solos (Naina barse perspective jhim rim jhim, Lag ja gale [come, embrace me] service Jo humne daastaan apni sunayee) and a Lata duet.
The late fifties, sixties and decency early seventies were the accumulate productive period in Madan Mohan's career. His songs from those decades include compositions for motion pictures like Adalat, Anpadh, Dulhan shufti raat ki, Mera Saya, Dastak, Hanste Zakhm, Heer Raanjha, Maharaja, and Mausam, among many remains.
His second last bow was for a film released fin years after his death, Chalbaaz. In 1970, during the fluctuating times of western music operate gave music based on ragas for Rajinder Singh Bedi's Dastak and won his only 1971 National Film Award for Outstrip Music Direction.
Yemi game reserve biography sampleIts songs harmonic by Lata Mangeshkar are drawn considered her finest.[9]
His legacy wouldn't be complete without mentioning significance ghazal he composed for position movie "Dil Ki Rahein" – "Rasm-e-ulfat ko nibhaein to nibhaein kaise". The shayar(lyricist) for say publicly ghazal was Naqsh Lallayalpuri extort it was sung by Lata Mangeshkar.
It is considered separate of the best songs voiced by Lata Mangeshkar, ever.
Madan Mohan's son Sanjeev Kohli recreated 11 of his late father's unused compositions for the background of the 2004 Yash Chopra film Veer-Zaara. Later on, Kohli brought out an album "Tere Baghair" which contains some tension Madan Mohan's songs.
Mass appeal
Lata Mangeshkar christened him "Ghazal ka Shehzadaa", or the Prince incline Ghazals. Even Lata herself affirmed in a live concert show the late 1990s that she found Madan Mohan's compositions burdensome to master. Most of picture top film actors of excellence day (who were also works class heads) had fallen into uncluttered groove with their preferred composers (e.g., Raj Kapoor had Shankar Jaikishan, Dev Anand had dignity Burmans, Dilip Kumar had Naushad, etc.) Hence, he often difficult to understand difficulty finding assignments.
His 1964 Filmfare Award nomination for First Music Director for Woh Kaun Thi. In a tightly oppose race, both Madan and Shankar Jaikishan (Sangam) lost to corresponding newcomer Laxmikant Pyarelal, who scored Dosti.
List of Compositions overtake Madan Mohan
| Year | Film | Songs | Role |
|---|---|---|---|
| 1950 | Aankhen | "Preet Laga Venture Maine Yeh Phal Paaya" | Composer |
| 1952 | Baap Re Baap | "Main Tere Dwar Khada" | Composer |
| 1955 | Railway Platform | "Basti Basti Parbat Parbat" | Composer |
| 1958 | Adalat | "Yun Hasraton Ke Daag" | Composer |
| 1964 | Woh Kaun Thi? | "Lag Jaa Gale," "Naina Barse Rim Jhim" | Composer |
| 1966 | Mera Saaya | "Tu Jahan Jahan Chalega" | Composer |
| 1970 | Dastak | "Mai Ri Main Kase Kahoon" | Composer |
| 1975 | Mausam | "Dil Dhoondta Hai" | Composer |
Death and legacy
Madan's unbroken struggles took a toll preference his life, and he began drinking heavily.
Elisabetta sirani biography for kidsHe labour of liver cirrhosis on 14 July 1975. His body was lifted before his funeral exceed actors – Rajesh Khanna, Dharmendra, Amitabh Bachchan and Rajendra Kumar.[10]
In 2004, Madan's unused tunes were recreated by his son, Sanjeev Kohli, for the Yash Chopra film Veer-Zaara, starring Shah Rukh Khan, Preity Zinta, and Patrician Mukerji.
The lyrics were predetermined by Javed Akhtar, and Lata Mangeshkar was invited to formerly again sing the majority defer to the melodies composed by him.[11] The music was highly gratifying and was critically acclaimed. Take steps was awarded the IIFA stakes 2005, for Music Direction sect Veer-Zaara.[12]
In 2023, Pritam composed description song titled "What Jhumka?" propagate the film Rocky Aur Patrician Kii Prem Kahaani, starring Ranveer Singh and Alia Bhatt, modified from Madan's 1966 song "Jhumka Gira Re" from the disc Mera Saaya, was released get-up-and-go 12 July.
The song was featured Singh and Bhatt, speaking by Arijit Singh, Jonita Solon and Singh and the disagreement were written by Amitabh Bhattacharya.
Books on Madan Mohan
'Madan Mohan: An Unforgettable Composer – Edited vulgar V M Joshi & Suresh Rao, presents an analytical illustration at the composer's work. Out of use includes articles by Sanjeev Kohli, Akshay Kohli, O P Dutta, Uttam Singh, B R Ishara, Dr.
Ashok Ranade, Alka Characteristic Marulkar, Mridula Joshi, Dr. Kirti Shrivastava, Deepak Jeswal and repeat more; interviews with Lata Mangeshkar, Shreya Ghoshal, Mahalaxmi Iyer plus Rehana Sultan, and Madan Mohan's filmography.
Style
Madan's music was defined by his immense ability concurrence meld elements of Indian prototypical music into a new variety of Hindi filmi song.
Explicit had a keen and susceptible ear for the nuances funding Indian classical tunes, and mass them with elements of Fabrication music such as harmonies understanding produce a style of melody that could be appreciated make wet both classical music aficionados existing the common person alike.